Shantae Robinson

Gallery Reception // “We Make Art In Richmond” organized by Erin McCluskey Wheeler

All of the artists in the show, We Make Art in Richmond, really do exactly that. There are twenty artists here who work in a wide range of disciplines, from bookmaking, textiles, ceramics, printmaking, poetry, and painting.

Half of the artists work out of NIAD’s 23rd Street Studio and the other half work out of their homes or studios scattered throughout Richmond. There are artists who have put in decades making art and some that are just getting started.

In putting together this show, I wanted to shine a light on artists working in Richmond. I wanted this show to feel inspiring and exciting for future and present artists in our community. There are twenty artists in this show, but there could easily have been four times as many artists who are excelling at their craft, sharing their work globally, giving back to their communities, and making it happen here in Richmond. Read More …

a person holds a green heart

NIAD Windows // “Heart & Soul of Richmond”

“Walking down a narrow path, you’re surprised as you reach a clearing.This sudden openness makes you stop short and catch your breath as you begin to absorb the change in landscape.Works in a clearing beckon, inviting you to enter.Each artist composes forms evolving from intuitive, rather than predetermined, thinking. In these works, the initial pattern elements break down and fall away, creating an opportunity for something unknown to arise. Overlapping and unpredictable shapes and colors create conversations, inviting viewers to come closer, soften their gaze, release expectations. Through a variety of materials, these artworks attain a color energy using vibrant hues and textures. Optical vibrations and textures rumble as deeper looking opens to a clearing.” Read More …

pink watercolor squares stacked on top of each other on white paper

NIAD Main Gallery Exhibition // “a clearing”, organized by Mel Prest

“Walking down a narrow path, you’re surprised as you reach a clearing.This sudden openness makes you stop short and catch your breath as you begin to absorb the change in landscape.Works in a clearing beckon, inviting you to enter.Each artist composes forms evolving from intuitive, rather than predetermined, thinking. In these works, the initial pattern elements break down and fall away, creating an opportunity for something unknown to arise. Overlapping and unpredictable shapes and colors create conversations, inviting viewers to come closer, soften their gaze, release expectations. Through a variety of materials, these artworks attain a color energy using vibrant hues and textures. Optical vibrations and textures rumble as deeper looking opens to a clearing.” Read More …

painting of famous painters titled "Normal is Boring"

“Rainbow Cat Picnic” organized by Cynthia Ona Innis

About the Exhibition The title of this exhibition comes from a piece included in the show, Dorian Reid’s Rainbow Cat Picnic.  In Rainbow Cat Picnic, numerous cats are joyously picnic-ing under a big colorful rainbow in what looks to be a very festive occasion.  There may be rain but that rainbow safely covers the cats and their food bowls. The sun is just coming out and those cats are really having a good time! The mixed media works in this show are my Rainbow Cat Picnic–20+ pieces representing an inspiring and colorful excursion to a place of creative nourishment and a celebration as a Read More …

pink watercolor squares stacked on top of each other on white paper

April NIAD Opening Reception + Artist Talk // “a clearing”, organized by Mel Prest + “Danny Thach: Best Buddies” + “Heart & Soul of Richmond”

“Walking down a narrow path, you’re surprised as you reach a clearing.This sudden openness makes you stop short and catch your breath as you begin to absorb the change in landscape.Works in a clearing beckon, inviting you to enter.Each artist composes forms evolving from intuitive, rather than predetermined, thinking. In these works, the initial pattern elements break down and fall away, creating an opportunity for something unknown to arise. Overlapping and unpredictable shapes and colors create conversations, inviting viewers to come closer, soften their gaze, release expectations. Through a variety of materials, these artworks attain a color energy using vibrant hues and textures. Optical vibrations and textures rumble as deeper looking opens to a clearing.” Read More …

an assortment of fruit - grapes, bananas, cherries, limes - drawn with thick black outlines.

NIAD Gallery Exhibition // “What’s Cookin?!,” organized by Terri Moore and the Cooking Corner class

This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.

We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. “Feeling Language” is about books, lists, slogans, language, gesture, touch and the trust given in sharing. Read More …

an assortment of fruit - grapes, bananas, cherries, limes - drawn with thick black outlines.

NIAD Main Gallery Exhibition // “What’s Cookin?!”

In the exhibition What’s Cookin?!, you will see food, art and creativity from various NIAD artists. So feel free to pull up a chair in your mind, take a seat at our dinner table, and see what’s cookin’! Cooking Corner is a place where artists can share artwork, make art, share food ideas and recipes, and interests they have in cooking, and also cook along with me from the comfort and safety of their own homes. Since we have returned to being on site, Cooking Corner has made its way back to the 23rd Street NIAD studio, where myself and a group of artists meet weekly, and come up with recipes to prepare, prep, cook and serve to the NIAD community. Read More …

a white embroidered tshirt

NIAD Annex Exhibition // “Crossover”

Crossover is an apt title for this show, which will showcase the vibrant and newly-connected fiber art scenes of NIAD and Cedars. Crossover is a companion to the textile-centered exhibition Follow the String, on view at Marin MOCA. In preparation for this show, artists from both programs visited each other’s studios, and participated in a tee-shirt and doll making workshop at Marin MOCA. T-shirts and dolls from this workshop will be on view in NIAD and Marin MOCA. Read More …

- A painting by Shantae Robinson: Untitled (P0084). Paint and collaged elements on a square canvas, arranged in a rough grid on a red background.

NIAD Online Exhibition // “Touching,” organized by Zachary Epcar

About Touching Touching brings together a selection of works that expand, contract, distort, and modify. Through this they make some sense of the world. They are texturally complex, engaging, thoughtful, and irreverent. They open up like portals; through a variety of materials and approaches they offer us windows to an elsewhere. About Zachary Epcar Zachary Epcar (b. San Francisco) is an experimental filmmaker whose work has 
screened at festivals, museums, microcinemas, and DIY venues worldwide. He lives in Oakland, California where he is a member of Light Field, an artist-run film programming collective based in the Bay Area. View Zachary Read More …

garment by Shantae Robinson

Shantae Robinson, Karen May and Raven Harper in “Projects from ‘Soft Material'” at Berkeley Art Center

AUGUST 18 – SEPTEMBER 3 Sherrie Aradanas, Ricky Bearghost, Raven Harper, Gail Lewis, Elmeater Morton, Shantae Robinson Soft Material is a collaborative garment-construction project between artists who have an interest in and connection with fashion and textiles, as well as the corporeal, the body, and performativity. The program supports and connects artists living with disabilities whose communal studios were severely interrupted by the pandemic. The project is co-organized by NAN COLLYMORE and CELIA LESH with artists from NIAD, Creative Growth, Elbow Room, and the Center for Craft. Related Events Thursday August 18 // Opening Reception at Berkeley Art Center Friday Read More …

NIAD Online Exhibition // “Can’t Be Shook” selected by Alex Gartelmann

Posted onAuthorNIAD Art Center

About the exhibition The invitation to curate this exhibition initially felt like an insurmountable task. The amount of work I felt thrilled by on a first look at the archive seemed impossible to winnow down. I immediately knew I didn’t want to use some contrived academic framework for decision making. I wanted to create an exhibition of works that I just couldn’t shake, a group of things that struck that deep internal chord which has no words or explanation. I decided that I would make an initial large list of things I was drawn to, and then revisit those lists repeatedly over several weeks, seeing what remained stuck in Read More …

NIAD Gallery Exhibition // “Superbloom,” organized by Erin McCluskey Wheeler

Posted onAuthorNIAD Art Center

About the exhibition It’s not a superbloom year. It’s not one of those years where the rain fall gives us an explosion of colorful flowers in the desert. But it is spring. There are still median strips full of poppies and untended lots full of lupines and purple vetch. There are bright yellow dandelions growing despite everything. There are the plum trees blossoming then letting loose their purple leaves and then the cherry trees blooming and letting loose their green leaves. These moments of color, of unexpected brightness, bring me so much happiness and ground me to the earth. I Read More …

NIAD Online Exhibition // “Day or Night it looks like Night” organized by Liliana Herrera

Posted onAuthorNIAD Art Center

About the exhibition The pieces in this exhibition were selected in a moment of uncertainty. The pandemic has affected each of us differently, but what can perhaps be agreed upon is that its longevity has worn on our collective morale. This was certainly the undercurrent of this grouping.  Dorian Reid’s Day or Night it Looks Like Night, is a depiction of September 9, 2020, a day that those of us in the Bay Area remember all too well: the day we awoke to smoky red skies caused by surrounding wildfires. The ominous tones on the canvas continue to be relevant today.  Read More …

A manipulated image of Rodin's Eternal Idol by NIAD artist Lupe Soto - the sculpture of two figures covered with a translucent layer of red paint.

NIAD Online Exhibition // “Eternal Idol” selected by Emily M. Harris

Posted onAuthorNIAD Art Center

About Eternal Idol Eternal Idol, Rodin’s famous sculpture, was hewn in marble, plaster, and bronze. His repetition of form, motif, and emotion creates a complex awareness of this bundle of human desire, submission and adoration. To repeat renders the form repeatable. The red paint on the image painted by Guadalupe Soto adds a filter to the couple. The works selected for the online exhibition Eternal Idol together speak about everyday eternity, observing and repeating and tenderly attending to what we desire, submit to and adore.  About Emily M. Harris Emily M. Harris is a New York-based interdisciplinary artist whose large-scale installations and intimate works Read More …