Join us in NIAD’s Galleries for our new June exhibitions! Artists and exhibition organizers will be on hand for a lively discussion in the galleries, and light refreshments will be served. Come browse the exhibitions and check out NIAD’s art-filled studios. Read More …
This exhibition is about transcendent forms. I looked through all of NIAD’s archives to find works that conveyed something beyond this world, something magical, something that emanates a powerful force. In some cases, geometries tap into universal formulae, in others, abstract gestural strokes become vessels for cosmic frequencies from another dimension, forms that are reduced and simplified into symbols tho speak the divine names of the essences invoke those they cannot contain. I was looking for works that felt timeless, and, perhaps, even, beyond culture.
This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.
We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. “Feeling Language” is about books, lists, slogans, language, gesture, touch and the trust given in sharing. Read More …
In the exhibition What’s Cookin?!, you will see food, art and creativity from various NIAD artists. So feel free to pull up a chair in your mind, take a seat at our dinner table, and see what’s cookin’! Cooking Corner is a place where artists can share artwork, make art, share food ideas and recipes, and interests they have in cooking, and also cook along with me from the comfort and safety of their own homes. Since we have returned to being on site, Cooking Corner has made its way back to the 23rd Street NIAD studio, where myself and a group of artists meet weekly, and come up with recipes to prepare, prep, cook and serve to the NIAD community. Read More …
This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.
We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. “Feeling Language” is about books, lists, slogans, language, gesture, touch and the trust given in sharing. Read More …
About the exhibition The invitation to curate this exhibition initially felt like an insurmountable task. The amount of work I felt thrilled by on a first look at the archive seemed impossible to winnow down. I immediately knew I didn’t want to use some contrived academic framework for decision making. I wanted to create an exhibition of works that I just couldn’t shake, a group of things that struck that deep internal chord which has no words or explanation. I decided that I would make an initial large list of things I was drawn to, and then revisit those lists repeatedly over several weeks, seeing what remained stuck in Read More …
About the exhibition It’s not a superbloom year. It’s not one of those years where the rain fall gives us an explosion of colorful flowers in the desert. But it is spring. There are still median strips full of poppies and untended lots full of lupines and purple vetch. There are bright yellow dandelions growing despite everything. There are the plum trees blossoming then letting loose their purple leaves and then the cherry trees blooming and letting loose their green leaves. These moments of color, of unexpected brightness, bring me so much happiness and ground me to the earth. I Read More …
About the exhibition Being brought up in a culture oriented towards consumption, self-gratification, and self-fulfillment, one learns not only what to desire but how to desire, where to situate one’s desire in relation to the self, all desire’s dimensions. The goal of this hegemonic cultural project is to eventually make one lose the sense of self beyond that desire, and be left with nothing but desire. “What I want” and “who I am” become one, and the cultural program, determining what these desires are, can control our sense of ourselves. There are many ways of dealing with this predicament, from Read More …
About the collection Gift-giving can be so tricky! It can be hard to know if someone has an item already, if it will be useful, or if it’s something that maybe you like instead of the recipient. When I choose a gift for someone, I try to focus on their interests or recent big events in their life – did they just move into a new home? Are they always dressed to the nines? Do they love sending videos about cute animals? I curated this shopping guide with those friends in mind, so whether you are buying a gift for your new Read More …
About “SISTER SISTER” Some people think we look alike; others think our voices sound the same, and still others mistake us for each other – but do we have the same taste? We definitely swapped clothes, jewelry, sneakers, and a few items we argued over as tiny pups in the world.In this selection, I tried to choose for my sister a few of the things I think she might have borrowed from my childhood bedroom – or that I’d want to borrow from hers. (Unsurprisingly, we chose a few of the same items the first time around!) As the younger sibling, I Read More …
About “The Zindel Collection” collection The items in this Holiday Gift Guide are perfect for your friend or family member who: 1. loves handsome dudes and fall colors. Mireya Betances, Two Dudes ceramic 13x7x2″ 2. admires intelligence, integrity, and dedication. Raven Harper, MLK T-shirt hand silk-screened, 100% cotton 3. dreams of living in a strawberry. Heather Hamann, Untitled mixed media on paper 12×18″ 4. loves swamp creatures. Saul Alegria, Untitled ceramic 13x10x2″ 5. loves alien swamp creatures. Saul Alegria, Untitled acrylic on paper 30×22“ 6. likes laughing, and ponies on the freeway. Nathan Lam, Bad Traffic Sign graphite on paper, Read More …
About the exhibition Every SingSome SingAny SingThis Sing Or what we might call singinging, both to and away from alongongs. This online exhibition brings together a series of works from some of the artists at NIAD that harmonize with singing things, through fan culture, instrument studies, exploded gig posters from a pole on the studio table, scores and how songs move. About the selector Jesse Malmed is an artist and curator working in video, performance, text, occasional objects and their gaps and laps over and under.
As the song goes… “It’s astounding; Time is fleeting; Madness takes its toll But listen closely… Not for very much longer I’ve got to keep control… Let’s Do the Time Warp Again!” View and enjoy the exhibition.