Peter harris

a pom pom on a conveyor belt in an art gallery setting

Outside Exhibition // “Don’t mind if I do” at Sacramento State University

Sharing the work of eleven artists who have influenced Shannon’s practice, Don’t mind if I do destabilizes rigid ableist and exclusionary museum “best practices” like sparse seating, untouchable objects, dense wall labels, and guards who protect rather than invite engagement. It is a project built upon a framework of flexibility. By welcoming glitches, inviting informality and messiness, and unsettling the hierarchy of objects, Don’t mind if I do prioritizes people over artwork and makes more room for us to show up as our full selves. Read More …

a graphic with "art mode" spelled in dark blocky letters

NIAD at Blu Dot // Art Mode Launch Event

Join us to celebrate the launch of Art Mode: a collection of incredible work from artists with intellectual and developmental disabilities. Blu Dot partnered with local nonprofit NIAD Art Center, as well as Brooklyn’s LAND Gallery and Austin’s SAGE Studio to bring you 16 unique pieces with all profits going back to the studios. Come check out the art, meet the inspiring artists behind them and enter for your chance to win one of the art prints. Light bites and drinks provided. Read More …

painting of famous painters titled "Normal is Boring"

“Rainbow Cat Picnic” organized by Cynthia Ona Innis

About the Exhibition The title of this exhibition comes from a piece included in the show, Dorian Reid’s Rainbow Cat Picnic.  In Rainbow Cat Picnic, numerous cats are joyously picnic-ing under a big colorful rainbow in what looks to be a very festive occasion.  There may be rain but that rainbow safely covers the cats and their food bowls. The sun is just coming out and those cats are really having a good time! The mixed media works in this show are my Rainbow Cat Picnic–20+ pieces representing an inspiring and colorful excursion to a place of creative nourishment and a celebration as a Read More …

“Search Engine”, organized by Diego Leclery (online exhibition)

This exhibition is about transcendent forms. I looked through all of NIAD’s archives to find works that conveyed something beyond this world, something magical, something that emanates a powerful force. In some cases, geometries tap into universal formulae, in others, abstract gestural strokes become vessels for cosmic frequencies from another dimension, forms that are reduced and simplified into symbols tho speak the divine names of the essences invoke those they cannot contain. I was looking for works that felt timeless, and, perhaps, even, beyond culture.

A graphic promoting an exhibition. Below a row of black cutout star shapes, centered at the top of the image, in exuberant black text that has a hand-cut feel, are the words “Feeling Language” in all caps. Below that in a smaller size, the words “organized by Kate Laster”. In the left half of the graphic, a page from a book with swirling patterns is covered with ten rows of the handwritten phrase “You Are Here,” hand written in a beige cursive font in all caps. The name “Mitsuko Brooks” appears to the left. In the same font, a column on the right lists the artists participating in the exhibition. Each word is separated by a diamond or a star shape

NIAD Gallery Exhibition // “Feeling Language,” organized by Kate Laster

This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.

We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. “Feeling Language” is about books, lists, slogans, language, gesture, touch and the trust given in sharing. Read More …

A person holds a small green fish-shaped ceramic sculpture.

NIAD Annex Exhibition // “Whales and Pencil Holders”

When Peter Harris is asked which of his ceramic pieces is his favorite, he says with conviction, “I love all of them.” This show is a celebration of “all of them.” The title is drawn from Michael Starofsky’s beautiful series of whale sculptures and pencil holders. Several of these artists are new to working in ceramics, and they are already establishing new forms and vibrant styles. Meanwhile, experienced NIAD ceramicists showcase their newest sculptures and functional ware. Whales and Pencil Holders presents this broad spectrum of subjects and inspiration—enjoy them all. Read More …

- A painting by Shantae Robinson: Untitled (P0084). Paint and collaged elements on a square canvas, arranged in a rough grid on a red background.

NIAD Online Exhibition // “Touching,” organized by Zachary Epcar

About Touching Touching brings together a selection of works that expand, contract, distort, and modify. Through this they make some sense of the world. They are texturally complex, engaging, thoughtful, and irreverent. They open up like portals; through a variety of materials and approaches they offer us windows to an elsewhere. About Zachary Epcar Zachary Epcar (b. San Francisco) is an experimental filmmaker whose work has 
screened at festivals, museums, microcinemas, and DIY venues worldwide. He lives in Oakland, California where he is a member of Light Field, an artist-run film programming collective based in the Bay Area. View Zachary Read More …

NIAD Gallery Exhibition // “Superbloom,” organized by Erin McCluskey Wheeler

Posted onAuthorNIAD Art Center

About the exhibition It’s not a superbloom year. It’s not one of those years where the rain fall gives us an explosion of colorful flowers in the desert. But it is spring. There are still median strips full of poppies and untended lots full of lupines and purple vetch. There are bright yellow dandelions growing despite everything. There are the plum trees blossoming then letting loose their purple leaves and then the cherry trees blooming and letting loose their green leaves. These moments of color, of unexpected brightness, bring me so much happiness and ground me to the earth. I Read More …

Installation view of five Peter Harris ceramic pieces on pedestals.

Off-Site Exhibition // Peter Harris in “Layers Upon Layers” at Archival Gallery, Sacramento

Posted onAuthorNIAD Art Center

March 3-26, 2022 About the exhibition Layers Upon Layers is a curated ceramics show in celebration of the National Council on Education for the Ceramic Arts (NCECA) regional event, held in Sacramento from March 3-26, 2022. Local ceramicist Shenny Cruces serves as curator and coordinator. Please contact the gallery directly for purchase inquiries. Artists in the Exhibition Peter Harris Jennifer Brazelton Gary Carlos Shenny Cruces Tomoko Nakazato Tiffany Schmierer Shannon Sullivan Sharon Virtue

NIAD Online Exhibition // “Day or Night it looks like Night” organized by Liliana Herrera

Posted onAuthorNIAD Art Center

About the exhibition The pieces in this exhibition were selected in a moment of uncertainty. The pandemic has affected each of us differently, but what can perhaps be agreed upon is that its longevity has worn on our collective morale. This was certainly the undercurrent of this grouping.  Dorian Reid’s Day or Night it Looks Like Night, is a depiction of September 9, 2020, a day that those of us in the Bay Area remember all too well: the day we awoke to smoky red skies caused by surrounding wildfires. The ominous tones on the canvas continue to be relevant today.  Read More …

an acrylic painting on two joined canvases. a square on the left features thickly layered paint in reds, pinks, creamy white and a dash of yellow in the upper right corner. A rectangle with a light blue wooden frame attached features a similar pattern of round shapes, thickly painted, but in bright and drippy blues, pinks, and yellows, with a patch of the same creamy white in the lower left corner.

NIAD Online Exhibition // “Voice Inside” selected by Sunila Bajracharya

Posted onAuthorNIAD Art Center

About the exhibition We all hear voices. Some come from inside, and others come from outside. The truest voice is the voice coming from inside which only you can hear. We hear this voice day and night. It can be loud, or soft, or strong, or annoyed, or happy, or sad. When we let our inner voice out it can create different forms of art, sometimes in words, sometimes with color, sometimes in three dimensions, sometimes with only lines. This expression can vary every day depending on the hardness of materials, the stiffness of mind, and the softness of heart. Inner Read More …

An ink drawing of floating hearts surrounded by smaller hearts, large floating flowers with hearts on the petals, flowers surrounded by flowers, all shapes filled with thin washes of color, blotched here and there. Some are colored with pencil. The colors are varied and bright. The artist's signature is in the bottom right corner.

Online Exhibition: “A Firmament in the Midst of the Waters” organized by Jay Youngdahl

Posted onAuthorNIAD Art Center

About the exhibition   Viewers can learn much from the work of NIAD artists. Their work offers the viewer a recognition that life is often a jumble of color and form.  Things arise, and often not in a linear or scientific manner. In reviewing the NIAD catalog, a religious/spiritual theme emerges.  Based on the conception of the beginning of the world found in the Old Testament book of Genesis, out of a chaos a world is born. Let there be light. About the organizer Jay Youngdahl is an artist, writer, and activist. For the past few decades he has made his Read More …

A screenprint portrait by NIAD studio artist Raven Harper in red ink of a female figure from the shoulders up. The words at the bottom of the print read "Rosa Parks".

Online Exhibition: “Super Powers” organized by Aubrey Ingmar Manson

Posted onAuthorNIAD Art Center

About the exhibition   As artists, we all have super powers. We can say what we feel and build worlds out of nothing. We can demand change and speak out about injustices. We can protest for our rights, freedoms, and share with others our views. It is the outside world viewed through the artist’s lens. Our powers are both inside and outside of us. Who among us will stand up for what they believe in? Who among us will help out? Who among us has a vision? Who among us desires change and progress? And who among us will do Read More …