Radiant Souls Is an invitation to reflect on all the evoking and mysterious symbols that get suspended in our memories, making the familiar objects an incitement to explore beyond our desires and look deeper into our reality. Read More …
Radiant Souls Is an invitation to reflect on all the evoking and mysterious symbols that get suspended in our memories, making the familiar objects an incitement to explore beyond our desires and look deeper into our reality. Read More …
This year NIAD is delighted to have works by seventeen NIAD artists in the Richmond Art Center’s AOTAD exhibition, with satellite exhibition locations to be announced. Art of the African Diaspora, in partnership with Richmond Art Center, supports artists of African descent in the Bay Area through representation, professional development, and building a creative community. Read More …
“Don’t mind if I do” destabilizes rigid ableist and exclusionary museum “best practices” like sparse seating, untouchable objects, dense wall labels, and guards who protect rather than invite engagement. It is a project built upon a framework of flexibility. By welcoming glitches, inviting informality and messiness, and unsettling the hierarchy of objects, “Don’t mind if I do” prioritizes people over artwork and makes more room for us to show up as our full selves. Read More …
Join us at the Eddie Rhodes Gallery for the opening of “3,734 Dreams Not Remembered” featuring work by NIAD Artists who are Contra Costa College alumni. Read More …
Join this playful, colorful, and lively event celebrating films and fashion created by the superstar artists of the wildly popular current exhibition, Into the Brightness: Artists from Creativity Explored, Creative Growth & NIAD. Films showcasing vibrant textiles and wearable art from artists featured in the exhibition kick off the afternoon. Next up will be a live exhibition of fashions modeled by more than two dozen artists from these studios in an informal, salon-style presentation with music and fun! This program is part of OMCA’s Spotlight Sundays series that presents innovative and engaging programs the third Sunday of each month. Participating Read More …
NIAD artist Felicia Griffin and Executive Director Amanda Eicher will be in person at the opening reception for this incredible exhibition! “Don’t mind if I do” destabilizes rigid ableist and exclusionary museum “best practices” like sparse seating, untouchable objects, dense wall labels, and guards who protect rather than invite engagement. It is a project built upon a framework of flexibility. By welcoming glitches, inviting informality and messiness, and unsettling the hierarchy of objects, “Don’t mind if I do” prioritizes people over artwork and makes more room for us to show up as our full selves. Read More …
About the Exhibition The title of this exhibition comes from a piece included in the show, Dorian Reid’s Rainbow Cat Picnic. In Rainbow Cat Picnic, numerous cats are joyously picnic-ing under a big colorful rainbow in what looks to be a very festive occasion. There may be rain but that rainbow safely covers the cats and their food bowls. The sun is just coming out and those cats are really having a good time! The mixed media works in this show are my Rainbow Cat Picnic–20+ pieces representing an inspiring and colorful excursion to a place of creative nourishment and a celebration as a Read More …
Opening Reception Friday February 3 6 to 8:30pm Warehouse 416 This year NIAD is delighted to have works by ten NIAD artists in both the Richmond Art Center AOTAD exhibition and a satellite exhibition at the Warehouse 416 art space in Oakland. The reception coincides with Oakland’s First Fridays Art Walk. Art of the African Diaspora, in partnership with Richmond Art Center, supports artists of African descent in the Bay Area through representation, professional development, and building a creative community. Participating NIAD Artists: Christian Vassell Deatra Colbert Dorian Reid Evelyn Davis Felicia Griffin Jason Powell-Smith Shawna Kinard Shawn Read More …
This exhibition is about transcendent forms. I looked through all of NIAD’s archives to find works that conveyed something beyond this world, something magical, something that emanates a powerful force. In some cases, geometries tap into universal formulae, in others, abstract gestural strokes become vessels for cosmic frequencies from another dimension, forms that are reduced and simplified into symbols tho speak the divine names of the essences invoke those they cannot contain. I was looking for works that felt timeless, and, perhaps, even, beyond culture.
Art of the African Diaspora is the longest running event of its kind in the Bay Area. This year it brings together over 150 artists of African descent, showcasing their work at the Richmond Art Center, as well as in open studios and satellite exhibitions at thirty different venues across ten Bay Area cities. Read More …
Crossover is an apt title for this show, which will showcase the vibrant and newly-connected fiber art scenes of NIAD and Cedars. Crossover is a companion to the textile-centered exhibition Follow the String, on view at Marin MOCA. In preparation for this show, artists from both programs visited each other’s studios, and participated in a tee-shirt and doll making workshop at Marin MOCA. T-shirts and dolls from this workshop will be on view in NIAD and Marin MOCA. Read More …
Curated by NIAD’s Emma Spertus and Julio Rodriguez with NIAD artists Felicia Griffin, Dorian Reid, and Kiesha White, the exhibition features artists from Cedars and NIAD, alongside artists from the broader Bay Area arts community. Follow the String showcases conventionally trained artists alongside artists with disabilities, blurring distinctions between “insider” and “outsider” art. Read More …
This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.
We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. “Feeling Language” is about books, lists, slogans, language, gesture, touch and the trust given in sharing. Read More …
The selected works include NIAD and non-NIAD artists, and encapsulate the ebbs and flows during these vulnerable and emotionally fragile times, when the threat of illnesses and the effects of climate change are entangled in our everyday existence. Read More …
About Touching Touching brings together a selection of works that expand, contract, distort, and modify. Through this they make some sense of the world. They are texturally complex, engaging, thoughtful, and irreverent. They open up like portals; through a variety of materials and approaches they offer us windows to an elsewhere. About Zachary Epcar Zachary Epcar (b. San Francisco) is an experimental filmmaker whose work has screened at festivals, museums, microcinemas, and DIY venues worldwide. He lives in Oakland, California where he is a member of Light Field, an artist-run film programming collective based in the Bay Area. View Zachary Read More …
These pieces are just a few from NIAD’s current cohort, that helps me embody the possibility of the tangible space I occupy each day as well as the infinite spaces just out of my reach or yet to be imagined. Read More …
About the exhibition The pieces in this exhibition were selected in a moment of uncertainty. The pandemic has affected each of us differently, but what can perhaps be agreed upon is that its longevity has worn on our collective morale. This was certainly the undercurrent of this grouping. Dorian Reid’s Day or Night it Looks Like Night, is a depiction of September 9, 2020, a day that those of us in the Bay Area remember all too well: the day we awoke to smoky red skies caused by surrounding wildfires. The ominous tones on the canvas continue to be relevant today. Read More …
About the exhibition A murmuration is a flock of thousands moving together, a pattern through the sky, each bird attuned to its nearest neighbors. Made up of individual parts, the whole becomes greater and more powerful than when it stands alone. In the works presented here, individual parts are visible: pieced, gridded, grouped, and arranged with lines, letters, and fields of color. And from the thousands of works that fly together at NIAD, here is only a sample of pieces that somehow talk and listen to their nearest neighbors. A murmuration of applause to all. About the selector Alisa Golden writes, Read More …
About the collection Gift-giving can be so tricky! It can be hard to know if someone has an item already, if it will be useful, or if it’s something that maybe you like instead of the recipient. When I choose a gift for someone, I try to focus on their interests or recent big events in their life – did they just move into a new home? Are they always dressed to the nines? Do they love sending videos about cute animals? I curated this shopping guide with those friends in mind, so whether you are buying a gift for your new Read More …