When I look at these artworks, I see their existence and how they feel as living forces; some elements remain as independent organisms where forms play out their own life; unpredictably relating to and through the viewer’s experience.
When Peter Harris is asked which of his ceramic pieces is his favorite, he says with conviction, “I love all of them.” This show is a celebration of “all of them.” The title is drawn from Michael Starofsky’s beautiful series of whale sculptures and pencil holders. Several of these artists are new to working in ceramics, and they are already establishing new forms and vibrant styles. Meanwhile, experienced NIAD ceramicists showcase their newest sculptures and functional ware. Whales and Pencil Holders presents this broad spectrum of subjects and inspiration—enjoy them all.
Being an artist who helps bring new, radical ideas into the world is neither an easy nor simple task. So it takes a certain, special kind of magic—charisma, self-belief, instinct—to move through the world going against the grain, as innovative artists so often do. I'm honored to have the chance to put forth this small sampling of artists from NIAD, an organization that likewise is working at the forefront of contemporary art.
This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.
We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. "Feeling Language" is about books, lists, slogans, language, gesture, touch and the trust given in sharing.
Curated by NIAD’s Emma Spertus and Julio Rodriguez with NIAD artists Felicia Griffin, Dorian Reid, and Kiesha White, the exhibition features artists from Cedars and NIAD, alongside artists from the broader Bay Area arts community. Follow the String showcases conventionally trained artists alongside artists with disabilities, blurring distinctions between "insider" and "outsider" art.
Crossover is an apt title for this show, which will showcase the vibrant and newly-connected fiber art scenes of NIAD and Cedars. Crossover is a companion to the textile-centered exhibition Follow the String, on view at Marin MOCA. In preparation for this show, artists from both programs visited each other's studios, and participated in a tee-shirt and doll making workshop at Marin MOCA. T-shirts and dolls from this workshop will be on view in NIAD and Marin MOCA.
Art of the African Diaspora is the longest running event of its kind in the Bay Area. This year it brings together over 150 artists of African descent, showcasing their work at the Richmond Art Center, as well as in open studios and satellite exhibitions at thirty different venues across ten Bay Area cities.