The selected works include NIAD and non-NIAD artists, and encapsulate the ebbs and flows during these vulnerable and emotionally fragile times, when the threat of illnesses and the effects of climate change are entangled in our everyday existence.
When Peter Harris is asked which of his ceramic pieces is his favorite, he says with conviction, “I love all of them.” This show is a celebration of “all of them.” The title is drawn from Michael Starofsky’s beautiful series of whale sculptures and pencil holders. Several of these artists are new to working in ceramics, and they are already establishing new forms and vibrant styles. Meanwhile, experienced NIAD ceramicists showcase their newest sculptures and functional ware. Whales and Pencil Holders presents this broad spectrum of subjects and inspiration—enjoy them all.
Being an artist who helps bring new, radical ideas into the world is neither an easy nor simple task. So it takes a certain, special kind of magic—charisma, self-belief, instinct—to move through the world going against the grain, as innovative artists so often do. I'm honored to have the chance to put forth this small sampling of artists from NIAD, an organization that likewise is working at the forefront of contemporary art.
SHRINE is excited to once again partner with the incredible NIAD Art Center to present museum-level paintings and ceramic works by Billy White, who is an artist at NIAD, alongside new paintings by Loren Erdrich at the Armory.
Join us for a lively virtual walkthrough and conversation with curators and artists involved in NIAD's September gallery exhibitions.
The NIAD community gathers to celebrate artists in the September exhibition with refreshments, music, ceramics for sale, and a ceramics workshop for participants of all skill levels led by NIAD ceramics facilitators Emma Spertus and Steen Kjorlie in the NIAD ceramics studio.
This show is all about comfort text: resilience in everyday words, writing and reading. Expression can also be wordless, the use of line and color as new vocabulary, pushing a thought out onto a surface, making marks and continuously trying to communicate with the world.
We tell stories to sustain ourselves and find each other. These messages embedded in art become an emotional telegram– a signal flare with a flame of memory trailing behind it. "Feeling Language" is about books, lists, slogans, language, gesture, touch and the trust given in sharing.
