These exhibitions will feature artists creating at progressive art studios across the country alongside Bay Area artists. Both will include the release of the new issue of Quickest Flip!
White Columns is pleased to announce the 14th edition of its Annual exhibition Looking Back, which has been selected by the New York-based writer and curator Randy Kennedy. The exhibition will be presented throughout all of White Columns’ galleries.
All of the artists in the show, We Make Art in Richmond, really do exactly that. There are twenty artists here who work in a wide range of disciplines, from bookmaking, textiles, ceramics, printmaking, poetry, and painting.
Half of the artists work out of NIAD’s 23rd Street Studio and the other half work out of their homes or studios scattered throughout Richmond. There are artists who have put in decades making art and some that are just getting started.
In putting together this show, I wanted to shine a light on artists working in Richmond. I wanted this show to feel inspiring and exciting for future and present artists in our community. There are twenty artists in this show, but there could easily have been four times as many artists who are excelling at their craft, sharing their work globally, giving back to their communities, and making it happen here in Richmond.
•Troll Survival Craft• an integrated group show featuring artwork made by artists with and without disabilities.
The opening includes live music by Agnes Martian, refreshments by Village, art cake by Lisa Nuñez-Hancock, and savory treats by Leah Tumerman.
Nocturnes presents Personal Space's sixth exhibition and marks the gallery's one year anniversary. The dreamy, languid, moody atmosphere imparted by the show's title, conjures those hazy, magical hours between dusk and dawn, dark and light -- a time so slippery it could perhaps only be captured by art. The eight artists gathered here -- hailing from Atlanta, London, Los Angeles, New York, Mexico City, and the Bay Area -- share interests in this liminal realm. Traversing textile, painting, and sculpture, their works rest somewhere between past, present, and future by offering spaces of refuge, pondering ecology, and considering acts of care, while honoring ancestral histories and beliefs. Bodies and bodies of water feature prominently, shape-shifting and embracing their interdependence with nature and the alchemical aspects of materiality. Seemingly eerie, witchy, and sometimes unsettling, the works give way to hope, transformation, and the start of something new -- each their own note in this overarching score.
"The show began as I was thinking about those stories of orcas that have been inexplicably linked to the destruction and sinking of boats across the Mediterranean. Perhaps this fascination stems from the unpredictability and raw defiance embodied by these aquatic mammals – baffling occurrences that stand in heavy contrast to humans’ ever-quickening technological advancements and rapid domestication and degradation of our shared environment. As an exhibition, BEASTIES ruminates on artists and artworks that mirror the spirit of these orcas, eschewing docile natures and tame-ability for wildness and unknowability."
Featured artists include individuals who are emerging and self-taught, are from traditionally underrepresented communities, and those with disabilities. All have paved their own way in the formation of their work, representing personal experiences and interests in individual styles developed outside the conventions of mainstream art education and culture.
This exhibition began in 2006 as a way for DC-area groups working with self-taught artists to exhibit together. Over the last 18 years, the exhibition’s success has seen it grow to feature artists from across the nation alongside our resident artists. With a selection of affordable work in a wide array of styles, the show continues to be an excellent introduction to outsider art for those looking to start their own collection.
