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Outside Exhibition // “Reflections: Portraits and Self-Portraits from NIAD Art Center”

sonoma state university art gallery 1801 E Cotati Ave, Rohnert Park

The University Art Gallery at Sonoma State University proudly presents Reflections: Portraits and Self-Portraits from NIAD Art Center, an exhibition curated by Executive Director Amanda Eicher, and Board Member Jay Youngdahl. Artists in their own right, Amanda and Jay are regular conversation partners with the studio artists at NIAD, finding an evocative and lasting dialogue with practices of self-representation and the question of representation itself.

an exhibition flyer with the words "outside" in slanted white sans serif capital font and "forces" in the same font in bright pink, on an abstract background

Outside Exhibition // “Outside Forces” at Art Enables

art enables 2204 Rhode Island Ave NE, Washington, DC

Featured artists include individuals who are emerging and self-taught, are from traditionally underrepresented communities, and those with disabilities. All have paved their own way in the formation of their work, representing personal experiences and interests in individual styles developed outside the conventions of mainstream art education and culture.  

This exhibition began in 2006 as a way for DC-area groups working with self-taught artists to exhibit together. Over the last 18 years, the exhibition’s success has seen it grow to feature artists from across the nation alongside our resident artists. With a selection of affordable work in a wide array of styles, the show continues to be an excellent introduction to outsider art for those looking to start their own collection. 

a pom pom on a conveyor belt in an art gallery setting

Outside Exhibition // “Don’t mind if I do” at Sacramento State University

sacramento state university library gallery

Sharing the work of eleven artists who have influenced Shannon’s practice, Don’t mind if I do destabilizes rigid ableist and exclusionary museum “best practices” like sparse seating, untouchable objects, dense wall labels, and guards who protect rather than invite engagement. It is a project built upon a framework of flexibility. By welcoming glitches, inviting informality and messiness, and unsettling the hierarchy of objects, Don’t mind if I do prioritizes people over artwork and makes more room for us to show up as our full selves.

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