About the exhibition There is a title card by Sara Malpass. There is an unclear horizon by Karen May. There is a translucent duck giving a direction by Danny Thach. There is a lopped off flower bloom on its side Read More …
For almost a year, scholars have accused Monumental Women’s Statue Fund (the nonprofit funding the sculpture) of whitewashing history by spotlighting the suffragists Elizabeth Cady Stanton and Susan B. Anthony without paying equal tribute to the many women of color Read More …
We’re delighted to announce a new limited edition serigraph with NIAD’s Billy White. “My Dad, The Golden Gloves Champion” is a two-color silkscreen on paper measuring 20 x 26″ and signed by the artist on verso. Created in conjunction with Read More …
About the exhibition 40 Below is a celebration of NIAD’s diverse roster of artists and the organization’s continued efforts to offer unique, one-of-a-kind works of art at pricing accessible to anyone. Each of the selected paintings, sculptures and drawings in this Read More …
About the exhibition The process of making and viewing art is influenced by our thoughts and emotions. Happy, anxious, confident, scared—these things show up in our own art as well as our interpretations of art made by others. Reflecting on Read More …
Previously focused on figurative drawings, NIAD’s Eddie Braught recently began a series of detournements wherein he added the ubiquitous noise-dampening headphones worn by several NIAD artists to the people featured on the pages of an art instruction manual. But, even Read More …
“Yet in Kounellis’s work we find a kind of tutorial for retraining the senses outside the white cube: lessons not bound to any particular aesthetic object, but awaiting discovery in the surface of the world… Read the rest of the Read More …
About the exhibition Patterns are a way to create order from chaos. But patterns can also grow, shrink, move, blend and break. This exhibition brings together works that use pattern and repetition to make sense of the world in ways Read More …
“…In 1905, Sicilian immigrant Baldassare Forestiere sank his life savings into what he hoped to turn into a fruit orchard, but the trees wouldn’t take root in the hardpan. Devastated, he began working as a laborer in the searing heat Read More …
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